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Using the Ancient Magical Wicha of the Southern Manorah Performing Arts, the Prai Manorah balm is similar in Nature and Function to the Pralaks HNaa Tong Wicha, which are both indeed developed by Magicians of the Southern Performing Arts. The Manorah Magic is a preferred kind of Sorcery for those who are involved with the Public, be it performing Artists, or Merchants and Sales persons, the Nuad Prai manorah Balm is an apt magical item to use.
color of container can vary
The Nuad Prai Balm contains a rich mixture of Pra Ajarn Taep Pongsawadarn's most powerful Maha sanaeh herbs and Oils, such as the ultra rare and powerful Wan Dork Tong, and Nam Man Aathan, mixed with See Pheung from 7 market places. The balm is empowered using Montr Sanaeh Kaa Khaay (Mantra for Charm, convincing speech and Good Business) and the Sariga Bon Yuea spell for charming speech. The balm was then given further incantations of Maha sanaeh and Metta Mahaniyom spells, and then a double Takrut sariga Koo spell was made, empowered and inserted into the balm, along with a Pra Laks Hnaa Tong (golden faced Lashman) made from sacred powders inserted, for immense attraction popularity and favorable effect on your audience.
How to Use
Smear on the lips to make your speech convincing and pleasing to others
Smear on your chest to attract Lovers
Smear on the stomach to attract Widowers
Carry it with you as a general Metta charm.
You can also use any Pra laks Hnaa Tong Kata for increasing the power of the Balm, and even the Na Hnaa Tong Blessing can be made using the See Pheung Balm to inscribe the blessing on the forehead and facNa Hnaa Tong Forehead Blessing
This magical incantation and sacred geometrical yantra is applied either by tattooing it or by inscribing it with a pointed penlike needle instrument on the head and face (without ink or breaking of the skin); In the latter method, gold leaf is used to put on the forehead and sometimes also tongue (there are two similar ceremonies; Na Hnaa Tong (Golden faced Na of Pra Laks [Lakshman]) and Sariga Lin Tong (golden tongued paradise bird). The two serve the same purpose, but are different magicks. Unless you know the difference you might mistake Na Hnaa Tong for Sariga Lin Tong because both apply gold leaf to the tongue.
Whilst inscribing the Agkara letter Na, chant;
Naamanangsamaasoe Yuth-thath-toe yuthath-ta haeng naama Pra Puu Bpen Jao. Na Bpen Agkara Na Na Maetthaa Arahang Sammaa Samputtoe.
Whilst inscribing the Agkara letter Moe, chant;
Naamanangsamaasoe Yuth-thath-toe yuthath-ta haeng naama Pra Puu Bpen Jao.
Moe Bpen Agkara Moe Moe Maetthaa Arahang Sammaa Samputtoe.
Whilst inscribing the Agkara letter Put, chant;
Naamanangsamaasoe Yuth-thath-toe yuthath-ta haeng naama Pra Puu Bpen Jao.
Put Bpen Agkara Put Put Maetthaa Arahang Sammaa Samputtoe.
Whilst inscribing the Agkara letter Taa, chant;
Naamanangsamaasoe Yuth-thath-toe yuthath-ta haeng naama Pra PuuBpen Jao.
Taa Bpen Agkara Taa Taa Maetthaa Arahang Sammaa Samputtoe.
Whilst inscribing the Agkara letter Ya, chant;
Naamanangsamaasoe Yuth-thath-toe yuthath-ta haeng naama Pra Puu Bpen Jao.
Ya Bpen Agkara Ya Ya Maetthaa Arahang Sammaa Samputtoe.
After this, chant;
Na Suwannoe namassithawaa, Khor Hnaa Khor Rasamii Hnaa Khapajao.
Mii rasamii hmuean dang tong kam
(Project it into the Pintu of the Na [the circle at the head of the na with the curved line]).
Then chant;
Moe Garoemanii Choethaganja Khor Hnaa Khor Rasamii Hnaa Khapajao.
Mii rasamii hmuean yaang Gaew Manii Chote
(project into the “Tanta” [second part of the na - see my explanation of the five elements of Na design].
Then chant;
Put Gaaroesangkamae Saethtangja
Khor Hnaa Khor Rasamii Hnaa Khapajao.
Mii rasamii hmuean yaang Hoy Sangkh
(project into the paeta)
Chant;
Taa Gaaroe Siriyae Aewa
Khor Hnaa Khor Rasamii Hnaa Khapajao.
Mii rasamii hmuean Pra Suriyaa Daed Awn
(project into the Angku).
Chant;
Ya Garoemugaewaja
Khor Hnaa Khor Rasamii Hnaa Khapajao.
Mii rasamii hmuean Yaang Hoy Mugkh Putta Ma Mang.
(invoke into the Siira).
Puttang Saranag Kajchaami (refuge in the Buddha).
(Project into the head of the “Ongk Pra” (Buddha image above the Na).
Tammang Sarang kajchaami (refuge in the Dharma
(project into the body of Ongk Pra).
Sangkang Saranang kajchaami (Refuge in the Sangha)
(project into the feet/base of the Ongk Pra).
Whilst inscribing the letters MA A U at the end, chant;
Agkara Ma Bpen agkara Ma (for the Ma)
Agkara A Ma Bpen agkara A (for the A)
Agkara U Ma Bpen agkara U (for the U).
Kata for the Unaalome;
Unaaloemaa Bpana Chaayath
Watch Documentary about the Na Hnaa Tong Blessing
Ajarn Taep Pongsawadarn is one of Thailands Most Prominent Lay Masters, whose Wicha and Amulets are in great demand in both Thai and Foreign Shores.
Ajarn Spencer
Proprietor
Thailand Amulets is owned and Administrated by Thai Occult and Amulet expert, Ajarn Spencer Littlewood who guarantees only authentic blessed amulets, and a free gift with every order, as well as his safe delivery or money back guarantee. https://facebook.com/ajarnspencer